
NUVO N8
The active NUVO N8 is a modern ribbon mic that records the live, natural sound of instruments within a space as it would sound in-person, with all subtlety and nuance present. It effortlessly captures complex sources like drums, strings, piano, and other instruments that can produce intricate transients, harsh highs, and bellowing lows.
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N8 Microphone Overview
Open and natural sound
Far-field ribbon mic that retains low end and top end from a distance
Same design philosophy as the AEA R88 stereo ribbon mic
Compact, lightweight, and low-profile design
Features active electronics and custom transformer optimized for all preamps
Made in the U.S.A.

Hears Like Your Ears

The N8 captures a space as it sounds live and in person, with all the present subtlety and nuance. Its expansive frequency response and balanced low end make it superbly effective when capturing the full breadth of sound from the back of a room, above a drum set, or overhead a string section.
It boasts the widest frequency range of any mic in the AEA lineup and effortlessly manages more complex source audio like drums, strings, piano, and other instruments that produce intricate transients, harsh highs, and bellowing lows. The full potential of the N8 is perhaps best realized when configured in a stereo array, as it draws on the same successful sonic concepts as the AEA R88.



The Far-field Ribbon
The N8 is a far-field ribbon mic, meaning it is designed to be positioned at an ideal distance of 12 inches or farther from the source of sound. This far-field design allows for a wide range of options when positioning the N8 to best capture an instrument within the context of a room.
From as far away as 20 feet away, the N8 retains the low end frequencies of the sources it captures, and its open, natural tonality makes it perfect to record an entire orchestras or the full low end of a drum kitÂ

Hear the N8
Audio Examples & Techniques
An Active Ribbon for a Modern Age
With active electronics and a custom transformer, the N8 provides 12db of extra output and more preamp flexibility than traditional passive ribbon mics.


The N8 In Action
A mic made for drums
Watch the N8s in action on Zach Harmon’s drumming in this AEA Session.
The N8 is the mono version of the AEA R88 stereo microphone with active electronics.
Engineers in both the studio and on the scoring stage who use the R88 desired a mono version that was more discreet, lightweight and easier to position. The N8 and R88 share the same minimalist design philosophy and honest sound. A pair of N8s with the NUVO stereo kit can emulate the R88, but a special preamp is not needed since the N8 uses active circuitry.

A Rugged, Roadworthy Companion
With increased durability and a small profile, it’s no wonder that a wide range of performers use AEA’s NUVO series microphones on the road. The mics are totally rugged and hold up to daily wear and tear.
From outdoor gigs at music festivals to indoor theaters, NUVO mics are the perfect companion to bring the sound of studio recordings to the live stage. With the NUVO Windscreen, never worry about the ribbon – even at windy gigs.
On the Road with the N8
Bands now using N8s and N22s on the road include Bonnie Raitt, Alicia Keys, Aerosmith, Mitski, Marty Stuart and his Fabulous Superlatives, Alabama Shakes, War On Drugs, Local Natives, The Head and The Heart, Sara Watkins, Kurt Vile, Deerhunter, Jamestown Revival, JOHNNYSWIM, Brandi Carlile, Autolux, Foxygen, Kruger Brothers, Cam, Pedro the Lion, The Districts, Valerie June, Mitski, King Krule, The Head and The Heart, Ought and more.
Artists
Depth, detail, and bottom end for days. So much focus and tone from one phantom powered ribbon mic.
Tape Op
The N8 shares some sonic DNA with the R88 for sure, so it was like being able to use that beast of a mic in a dual mono, Glyn Johns configuration, and the take turned out great in combination with the other kit. Honestly, I didn't find anything that the N8 didn't make sound great anywhere you'd use a normal ribbon…
Sound on Sound
For more classical orchestral instruments, the N8 sounded sublime on cello and violin, and (excuse the total heresy!) I think I preferred it to my life-long favourite ribbon, the Coles 4038!... This is a very nice and well-priced microphone and I think Wes and AEA really have realised a ribbon mic for the 21st century. Highly recommended.
Recording Mag
All the AEA models sound great, and ever since my 2012 review the R88mk2 has been on my short list of must-haves as the “set it and forget it” room mic. However, I am now thinking the N8 may be the better choice in the long run. It offers more versatility and placement options thanks to its smaller size and light weight, and I love how it pairs with the N22... Oh, decisions, decisions!
Manual and Specifications
Parts and Accessories
AccessoriesRelated
- Tricks of the Trade
N22 vs N8: What’s the Difference?

- Tricks of the Trade
Near-Field vs. Far-Field Ribbon Mics: What’s The Difference


- Tricks of the Trade
What is an Active Ribbon Microphone?

- Tricks of the Trade
Is a Ribbon Room Mic the Missing “Glue” in Your Recording?




